Patrick Murray-John hacks our collection at #THATcamp

And following Mia’s residency in the Labs we were excited to find out collection data ended up being toyed with at THATCamp.

Patrick Murray-John wrote up his experience with our data, reflecting many of the same issues that Mia cam across.

He calls out our CC0 licensing –

If the data had been available via an API, that would have put a huge burden on my site. I could have grabbed the data for the ‘period’, but to make it useful in my recontextualization of the data, I would have had to grab ALL the data, then normalize it, then display it. And, if I didn’t have the rights to do what I needed, I would have had to do that ON EVERY PAGE DISPLAY. That is, without the licensed rights to manipulate and keep the data as I needed, the site would have churned to a halt.

Instead, I could operate on the data as I needed. Because in a sense I own it. It’s in the public domain, and I have a site that wants to work with it. That means that the data really matters to me, because it is part of my site. So I want to make it better for my own purposes. But, also, since it is in the public domain, any improvements I make for my own purpose can and should go back into the public domain. Hopefully, that will help others. It’s a wonderful, beautiful, feedback loop, no?

As a fork of CC-0 content from github, it sets off a wonderful network of ownership of data, where each node in the network can participate in the happy feedback.

Go read his full post.

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About Seb Chan

Seb Chan is currently the Director of Digital & Emerging Media, Smithsonian, Cooper-Hewitt, National Design Museum. Prior to joining Cooper-Hewitt he led the Digital, Social and Emerging Technologies department at the Powerhouse Museum in Sydney, where he oversaw the implementation of Open Access and Creative Commons licensing policies and many projects exploring new ways for visitors and citizens to engage and contribute to the Powerhouse’s collection. Chan was a member of the Australian Government’s Government 2.0 Taskforce and, as a consultant, has helped organisations and institutions all over the world strategise and implement cutting-edge technologies in the cultural sector. He also writes about museums, technology and digital strategy at http://www.freshandnew.org.